-
Winold Reiss at USArtists
In its January/February 2007 issue, Fine Art Conoisseur reviewed the gallery's display at the fifteenth annual USArtists fair:
Bernard Goldberg Fine Arts is selling magnificent oil studies made in 1931-32 by German-born Winold Reiss (1886-1953) after he was commissioned to help decorate Cincinnati's new Union Terminal. One set of these huge, boldly colored panels presents four determined-looking men epitomizing the railroad age, and were later replicated in glass mosaic and fresco on the terminal's soarcing ceiling, which can still be admired today.
-
Edward Steichen in The New York Times
In his review of the October 2006 International Fine Art and Antique Dealers Show, Benjamin Genocchio of The New York Times wrote:
An oil painting by the Luxembourg-born American photographer Edward Steichen is on view at Bernard Goldberg Fine Arts, New York. Moonlit Landscape (1907), a soft, teal-colored Tonalist nocturnal landscape, mirrors his early experiments with Pictorial photography. Steichen's paintings are rare; in 1922 he burned all the paintings remaining in his possession and devoted himself completely to photography.
-
New York As They Saw It
At the 2005 International Fine Art Fair, Bernard Goldberg Fine Arts presented a curated booth on the theme of "New York As They Saw It." Accompanied by a twenty four-page catalogue, the exhibition displayed works by artists including Edward Hopper, John Marin, Guy Pène du Bois, Everett Shinn and Edward Steichen. In her review of the fair, Grace Glueck of The New York Times stated:
Bernard Goldberg Fine Arts has mounted a fine mini-show devoted to the New York of the early 20th century, with a very early portrait (1904) of the artist Guy Pène du Bois by no less than Edward Hopper, a fellow student of Robert Henri.
-
Charles Burchfield at Works on Paper
This watercolor by Charles Burchfield, Edge of Woods in Sunlight, was reproduced in Ken Johnson's New York Times review of the 2005 Works on Paper Fair, in which he wrote:
You will find that the most compelling presence is American Modernism... Bernard Goldberg has judiciously selected works from the early and late careers of Arthur Dove, John Marin, Charles Burchfield, Oscar Bluemner and Max Weber.
-
Partners in Modernism: The Art of Marguerite and William Zorach
On view from April 11 through May 25, 2007, Partners in Modernism: The Art of Marguerite and William Zorach displayed works spanning nearly six decades of artistic production by these two pioneering American modernists. Comprised of over forty paintings, watercolors, sculpture and drawings, the exhibition charted each artist's stylistic development, beginning with their student days in Paris, while highlighting the unique dialogue that sustained their personal and artistic partnership.
A twenty-four page catalogue was published to accompany the exhibition.
-
Oscar Bluemner The Intimate Work
This focused exhibition presented sixteen small-scale works on paper by the American Modernist artist Oscar Bluemner. The paintings and drawings on view provided a glimpse into Bluemner's aesthetic evolution and working method. Lance Esplund, in a review in the New York Sun, stated:
To see an example of his pre-Modernist painting, I suggest you visit Bernard Goldberg Fine Arts, LLC, where, among a superb and varied grouping of Bluemner's small works, is Untitled (German Farm), 1885 - a watercolor that helps to ground us in the artist's roots.
-
Marsden Hartley's Roses for Seagulls that Lost their Way
Marsden Hartley's painting Roses for Seagulls that Lost their Way was featured on the cover of the Summer 2007 issue of Antiques & Fine Art, and was also reproduced in the magazine in Erik Brockett's article "American Still Life: Modernist Influences in the Twentieth Century."
